17 Jun 2016 blaxTARLINES KUMASI, Project Space for Contemporary Art, at the Department of Painting and Sculpture, KNUST, presents “Cornfields in 

For three weeks in April, the exhibition if you love me… occupied the Ghana Railway Company’s defunct buildings and tracks centrally located in Kumasi. Artists had teamed up with railway workers, residents, and students from Kwame Nkrumah University of Science and Technology (KNUST), to let the site

SCCA opening reception: Friday, 4th September, 2020 @ 17:30hrs. Opening hours: Monday – Thursday, 11 am – 8 pm Friday – closed Saturday – Sunday, 11am – 6 pm. Closing date: Thursday, 7th Orderly Disorderly (2017) completes the trilogy of large scale end-of-year exhibitions held by blaxTARLINES KUMASI, the contemporary art incubator and project space of KNUST, in collaboration with For three weeks in April, the exhibition if you love me… occupied the Ghana Railway Company’s defunct buildings and tracks centrally located in Kumasi. Artists had teamed up with railway workers, residents, and students from Kwame Nkrumah University of Science and Technology (KNUST), to let the site 2020-09-12 · The programme will take the form of discursive talks alongside performances, film screenings and readings. In honour of the event, Zeitz MOCAA is handing over the reins of its Instagram account for the duration of the summit to blaxTARLINES KUMASI, an experimental incubator of contemporary art and sharing community based in Kumasi, Ghana.

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From our Obsession. 22 Feb 2019 of Painting and Sculpture at Kwame Nkrumah University of Science and Technology (KNUST) in Kumasi, Ghana. Blaxtarlines was created for  19 Aug 2016 by blaxTARLINES KUMASI and εyε | Contemporary Art Ghana, at. Prime Motors Ltd. Showroom in Ahenema Kokoben, Kumasi in 2015. both organized by blaxTARLINES KUMASI.

… 2016-06-19 The portrait series as exhibited at the exhibition 'Silence between the Lines: Anagrams of emancipated Futures' at blaxTARLINES KUMASI, a project space for contemporary art initiated by the Department of Painting and Sculpture at Kwame Nkrumah University of Science and Technology (KNUST) in Kumasi… blaxTARLINES KUMASI, collective and contemporary art project space Chimurenga, a pan-African platform of writing, art and politics Nadia Davids, writer, theatre-maker and scholar Frieda Ekotto, novelist and literary critic Haroon Gunn-Salie, commissioned artist Awa Konaté, critic, curator & founder of @CultureArtSociety He espouses blaxTARLINES KUMASI’s politically indifferent approach to twenty-first century emancipatory art practice — which operates on a conception of art paradoxically emerging from a multiplicity and a void, and principled on preemptive equality.

blaxTARLINES KUMASI, collective and contemporary art project space Chimurenga, a pan-African platform of writing, art and politics Nadia Davids, writer, theatre-maker and scholar Frieda Ekotto, novelist and literary critic Haroon Gunn-Salie, commissioned artist Awa Konaté, critic, curator & founder of @CultureArtSociety

KNUST was established in 1961, succeeding the colonial Kumasi College of Technology (KCT)i which was set up in 1952. On the Nation’s Debut Pavilion at the 58th Venice Biennale This article analyses the historical significance and local relevance of Ghana’s debut Pavilion at the 58th Venice Biennale. By using the historical materialist thesis that an event in the past is not necessarily historical, the paper highlights how, beyond pomp, the Pavilion could have done more to confront the latency of Sac-draped buildings and monuments by the artist, invite viewers and passers by to experience sublime and highly inspirational artworks, parts of which have been documented in a book titled “Exchange – Exchanger”, which was published by Verlag der Buchhandlung Walther König (Germany) in collaboration with White Cube Gallery and blaxTARLINES KUMASI.

On the Nation’s Debut Pavilion at the 58th Venice Biennale This article analyses the historical significance and local relevance of Ghana’s debut Pavilion at the 58th Venice Biennale. By using the historical materialist thesis that an event in the past is not necessarily historical, the paper highlights how, beyond pomp, the Pavilion could have done more to confront the latency of

1,018 likes · 21 talking about this. blaxTARLINES KUMASI is an experimental incubator of contemporary art and sharing community based at the Department of Painting & Sculpture at KNUST blaxTARLINES. 974 likes. blaxTARLINES KUMASI is an experimental incubator of contemporary art and sharing community based at the Department of Painting & Sculpture at KNUST in Kumasi… 2016-07-15 Home Tags BlaxTARLINES KUMASI.

blaxTARLINES KUMASI "Changing Lessons:The Kumasi School of “Art and Crafts” in a Scottish Regime (1952-1962)"-- by kąrî'kạchä seid’ou. BlaxTARLINES Kumasi is on Facebook. Join Facebook to connect with BlaxTARLINES Kumasi and others you may know.
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BlaxTARLINES Kumasi is on Facebook. Join Facebook to connect with BlaxTARLINES Kumasi and others you may know. Facebook gives people the power … 2018-07-05 blaxTARLINES.

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Co-curated by Robin Riskin, Patrick Nii Okanta Ankrah, and Selom Kudjie powered by blaxTARLINES KUMASI, in partnership with the KNUST Department of Painting and Sculpture, Ghana Railway Company Ltd., and Ghana Railway Workers Union Kumasi Locomotive Shed, 2016 (image by Selom Kudjie) if you love me… is a collaborative effort of railway workers, occupants, engineers, artists, and students of KNUST.

He has curated exhibitions with blaxTARLINES KUMASI, KNUST, most prominent being Cornfields in Accra, (2016) and Orderly Disorderly, (2017). blaxTARLINES KUMASI is a collectivist response to the hopeless conditions that characterize the state of institution-building in contemporary art in the “cultural slum” 8 that is Ghana. It is the contemporary art institution based at the Department of Painting and Sculpture at KNUST directly responsible for successfully implementing a radical openness to the concept and practice of art.

blaxTARLINES. 1,006 likes · 66 talking about this. blaxTARLINES KUMASI is an experimental incubator of contemporary art and sharing community based at the Department of Painting & Sculpture at KNUST

KNUST was established in 1961, succeeding the colonial Kumasi College of … The Artist Collective and its networks launched blaxTARLINES, an artist incubator and project space, a trilogy of exhibition in Kumasi in 2015. The yearly event is dubbed: 'Orderly Disorderly' which is noted as the most far-reaching exhibitions of contemporary art in Ghana's history and is organised by blaxTARLINES and supported by Ghana Museums and Monuments Board (GMMB) to develop tourism. blaxTARLINES KUMASI "Changing Lessons:The Kumasi School of “Art and Crafts” in a Scottish Regime (1952-1962)"-- by kąrî'kạchä seid’ou. BlaxTARLINES Kumasi is on Facebook.

blaxTARLINES KUMASI is an experimental incubator of contemporary art and sharing community based at blaxTARLINES KUMASI is an experimental incubator of contemporary art and a sharing community. It has a lineage of radical art and community projects dating back to the 1990s. It is responsible for demystifying art from classical and pre-1960s European modernist predeterminations in Ghana’s foremost art college in KNUST, Kumasi.